{"id":1852,"date":"2018-07-03T07:34:38","date_gmt":"2018-07-03T07:34:38","guid":{"rendered":"http:\/\/theodoregrammatas.com\/?p=1852"},"modified":"2018-07-03T07:34:38","modified_gmt":"2018-07-03T07:34:38","slug":"time-in-the-theatre-memory-of-a-timeless-present-on-stage-athens-23-25-may-2018","status":"publish","type":"post","link":"https:\/\/theodoregrammatas.com\/?p=1852&lang=en","title":{"rendered":"Time in the Theatre Memory of a timeless present on stage, Athens 23-25 May 2018"},"content":{"rendered":"

<\/span>H[\/ropcap]ow is time depicted in Theatre? And how is it inscribed as a memory on the spectator\u2019s consciousness when the fleeing unique moment of the theatre performance ceases to be, and the \u201conce and only one time\u201dof the stage representation becomes part of the spectator\u2019s deposit of similar experiences?<\/p>\n

Is this the time of the play and the characters depicted on stage? Or the subjective time of the performers, objectively incorporated in the aforementioned time? Or is this the time of the performance measured by the clock, and accordingly the time of the spectators watching it? And yet, how are these two parameters combined?<\/p>\n

In fact, where is the spectator situated during this unique moment of the stage event: in the objective subjectivity of the performance time or in the subjective objectivity of the experienced time, of an eventually \u201ctimed reality\u201d? And last but not least, what is left in the spectator\u2019s consciousness at the end of a specific theatre experience? What is it that remains in one\u2019s memory among all the spectacular stage elements? Certain lines, gestures and expressions?What? The music score? Certain sounds or visual elements or a combination of all these? And if so, which combination?<\/p>\n

The spectators\u2019 future reception is to a certain degree determined by such memories and the correlation of the subjective with the objective particulars that surround them. Similarly, these shape their evaluationcriteria of any future theatre experience.<\/p>\n

All the above become even more important in the case of children and young audiences whotend to identify with the characters and experience a performancemore intensely than adults. Similarly, their personality traits can be affected in ways possibly crucial for their future lives.<\/p>\n

These are some of the questions to be addressed in the Conference \u201cTime in the Theatre: Memory of a Timeless Present<\/strong>\u201d: 23-25 May 2019in Athens. The conference is organised by the Research Programme \u201cTheatre Memory in Students of the 5th<\/sup> Grade of Elementary School\u201d (MIS5006824), Laboratory of Art and Speech and the Department of Humanities of the Faculty of Primary Educationof the University of Athens, and the MarasleioDidaskaleio. Specialist researchers and scientists, established university scholars and PhD candidates, theatre practitioners and theatre pedagogists from Greece and abroad, with research interests and publications in the fields of Theatre Studies, Education, Psychology and Sociology have been invited to participate.<\/p>\n

As your research, scientific and artistic work relates to aspects of this subject, we would like to invite you as well to the Conference with a proposal or a workshop, which, we believe, will further contribute to the research on the subject and enrich relevant literature.<\/p>\n

The languages of the Conference will be Greek and English.<\/p>\n

Proposals of a maximum 300-word abstract and a maximum 300-word biography should be sent by 30 September 2018 (e-mail: tgramma@primedu.uoa.gr<\/a> and mzora@primedu.uoa.gr<\/a>)<\/p>\n

You will receive an answer from the organizing committee by 30 November 2018. Useful information about the Conference will be posted on the following websites:<\/p>\n

http:\/\/www.primedu.uoa.gr<\/a><\/p>\n

http:\/\/marasleio.uoa.gr<\/a><\/p>\n

http:\/\/theodoregrammatas.com<\/a><\/p>\n

\n

The President of the Organizing Committee<\/p>\n

Prof. Theodore Grammatas<\/p>\n

Faculty of Primary Education, National and Kapodistrian University of Athens<\/p>\n

President of the Marasleio Didaskaleio<\/p>\n

\n","protected":false},"excerpt":{"rendered":"

H\/ropcapow is time depicted in Theatre? And how is it inscribed as a memory on the spectator\u2019s consciousness when the fleeing unique moment of the theatre performance ceases to be, and the \u201conce and only one time\u201dof the stage representation becomes part of the spectator\u2019s deposit of similar experiences?<\/p>\n","protected":false},"author":2,"featured_media":1854,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[116],"tags":[736,738,740],"class_list":["post-1852","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-conference","tag-marasleio-didaskaleio","tag-theatre-memory"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/theodoregrammatas.com\/wp-content\/uploads\/2018\/07\/blog.jpg?fit=1200%2C630&ssl=1","jetpack-related-posts":[{"id":2653,"url":"https:\/\/theodoregrammatas.com\/?p=2653&lang=en","url_meta":{"origin":1852,"position":0},"title":"Drama and Theatre in ancient Greece. A database and a spectators\u2019 school.","author":"Theodore Grammatas","date":"November 1, 2022","format":false,"excerpt":"Abstract Drama always consisted of an invaluable \u201cdatabase\u201d for the culture and education of the ancient Greek spectators, who used to watch it as a performance that derived from the already existing literary types and forms (epic and lyric poetry) on which it was based and which included up to\u2026","rel":"","context":"In "Ancient Drama"","block_context":{"text":"Ancient Drama","link":"https:\/\/theodoregrammatas.com\/?cat=124&lang=en"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/theodoregrammatas.com\/wp-content\/uploads\/2022\/11\/9366fa7c6158d5780d3c2d34c3643dd8.jpg?fit=768%2C601&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/theodoregrammatas.com\/wp-content\/uploads\/2022\/11\/9366fa7c6158d5780d3c2d34c3643dd8.jpg?fit=768%2C601&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/theodoregrammatas.com\/wp-content\/uploads\/2022\/11\/9366fa7c6158d5780d3c2d34c3643dd8.jpg?fit=768%2C601&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/theodoregrammatas.com\/wp-content\/uploads\/2022\/11\/9366fa7c6158d5780d3c2d34c3643dd8.jpg?fit=768%2C601&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":2788,"url":"https:\/\/theodoregrammatas.com\/?p=2788&lang=en","url_meta":{"origin":1852,"position":1},"title":"Mnemonic recording of the theatre","author":"Theodore Grammatas","date":"July 3, 2023","format":false,"excerpt":"If by performance we mean the \u201cpoetics of remembrance\u201d, since it is there that the playwright\u2019s and the actor\u2019s memory as well as the spectators memory and social memory\u00a0 creatively meet, then the theatre can be called the \u201cart of memory\u201d ( Samuel 1994), reflection and repetitive appearance of the\u2026","rel":"","context":"In "Theatre for Young Audiences"","block_context":{"text":"Theatre for Young Audiences","link":"https:\/\/theodoregrammatas.com\/?cat=1&lang=en"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/theodoregrammatas.com\/wp-content\/uploads\/2023\/07\/cc6619a6085de8ad68cdd421470287f3.jpg?fit=1200%2C575&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/theodoregrammatas.com\/wp-content\/uploads\/2023\/07\/cc6619a6085de8ad68cdd421470287f3.jpg?fit=1200%2C575&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/theodoregrammatas.com\/wp-content\/uploads\/2023\/07\/cc6619a6085de8ad68cdd421470287f3.jpg?fit=1200%2C575&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/theodoregrammatas.com\/wp-content\/uploads\/2023\/07\/cc6619a6085de8ad68cdd421470287f3.jpg?fit=1200%2C575&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/theodoregrammatas.com\/wp-content\/uploads\/2023\/07\/cc6619a6085de8ad68cdd421470287f3.jpg?fit=1200%2C575&ssl=1&resize=1050%2C600 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"News"","block_context":{"text":"News","link":"https:\/\/theodoregrammatas.com\/?cat=116&lang=en"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/theodoregrammatas.com\/wp-content\/uploads\/2021\/01\/9b916d16e0fcb2fc3b26fa19a7f54004.jpg?fit=1200%2C575&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/theodoregrammatas.com\/wp-content\/uploads\/2021\/01\/9b916d16e0fcb2fc3b26fa19a7f54004.jpg?fit=1200%2C575&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/theodoregrammatas.com\/wp-content\/uploads\/2021\/01\/9b916d16e0fcb2fc3b26fa19a7f54004.jpg?fit=1200%2C575&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/theodoregrammatas.com\/wp-content\/uploads\/2021\/01\/9b916d16e0fcb2fc3b26fa19a7f54004.jpg?fit=1200%2C575&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/theodoregrammatas.com\/wp-content\/uploads\/2021\/01\/9b916d16e0fcb2fc3b26fa19a7f54004.jpg?fit=1200%2C575&ssl=1&resize=1050%2C600 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Theatre","link":"https:\/\/theodoregrammatas.com\/?cat=120&lang=en"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/theodoregrammatas.com\/wp-content\/uploads\/2020\/10\/virtual.jpg?fit=1170%2C585&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/theodoregrammatas.com\/wp-content\/uploads\/2020\/10\/virtual.jpg?fit=1170%2C585&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/theodoregrammatas.com\/wp-content\/uploads\/2020\/10\/virtual.jpg?fit=1170%2C585&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/theodoregrammatas.com\/wp-content\/uploads\/2020\/10\/virtual.jpg?fit=1170%2C585&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/theodoregrammatas.com\/wp-content\/uploads\/2020\/10\/virtual.jpg?fit=1170%2C585&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":2660,"url":"https:\/\/theodoregrammatas.com\/?p=2660&lang=en","url_meta":{"origin":1852,"position":4},"title":"The Transmission and Reception of the Values of the Ancient Greek Culture in Theater via 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Cultural interaction and osmosis between the genres*","author":"Theodore Grammatas","date":"August 5, 2021","format":false,"excerpt":"Popular \/ Folk theatre The term \u201cpopular theatre\u201d denotes a cultural creation the specific features of which remain constant and characteristic of this theatrical category (Grammatas 2006 : 239-241) despite any changes that might have taken place over the times. Its basic source of origin is the \u201critual\u201d, which, though\u2026","rel":"","context":"In "Global Theatre"","block_context":{"text":"Global Theatre","link":"https:\/\/theodoregrammatas.com\/?cat=128&lang=en"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/theodoregrammatas.com\/wp-content\/uploads\/2021\/08\/TRISEVGENI-1958.jpg?fit=907%2C720&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/theodoregrammatas.com\/wp-content\/uploads\/2021\/08\/TRISEVGENI-1958.jpg?fit=907%2C720&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/theodoregrammatas.com\/wp-content\/uploads\/2021\/08\/TRISEVGENI-1958.jpg?fit=907%2C720&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/theodoregrammatas.com\/wp-content\/uploads\/2021\/08\/TRISEVGENI-1958.jpg?fit=907%2C720&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/theodoregrammatas.com\/index.php?rest_route=\/wp\/v2\/posts\/1852","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theodoregrammatas.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theodoregrammatas.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theodoregrammatas.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/theodoregrammatas.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1852"}],"version-history":[{"count":1,"href":"https:\/\/theodoregrammatas.com\/index.php?rest_route=\/wp\/v2\/posts\/1852\/revisions"}],"predecessor-version":[{"id":1855,"href":"https:\/\/theodoregrammatas.com\/index.php?rest_route=\/wp\/v2\/posts\/1852\/revisions\/1855"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theodoregrammatas.com\/index.php?rest_route=\/wp\/v2\/media\/1854"}],"wp:attachment":[{"href":"https:\/\/theodoregrammatas.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1852"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theodoregrammatas.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1852"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theodoregrammatas.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1852"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}