The term “popular theatre” denotes a cultural creation the specific features of which remain constant and characteristic of this theatrical category (Grammatas 2006 : 239-241) despite any changes that might have taken place over the times. Its basic source of origin is the “ritual”, which, though not identical, relates to the concepts of “ritual” and “custom”, and is often used interchangeably in international bibliography (Puchner 1985 : 40).
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The search for cultural identity is an ever-lasting demand for the Greek dramatology.
During the post-war years the presence of this search is intensive, and the variety of its forms and versions depends each time on the specific historical and social conditions.
On the basis of this quest for theatrical and, furthermore, cultural consciousness, and on condition that the theatre consists of the production of an objective reality on stage, we proceed to the analysis of our subject.
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Socioeconomic and Cultural Transformations in the Context of The Fourth Industrial Revolution
Proposal Title : Values Across Space and Time
Proposal acronym: VAST
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La Commedia dell’Arte, forme théâtrale de provenance populaire, dispose des traits distinctifs propres à lui, de sorte qu’ elle peut être approchée et perçue par lui. Le but de notre communication porte à préciser les codes communicatifs dont elle se sert, et par la suite à circonscrire leur fonctionnalité chez les spectaters aux quels elle s’adresse. A l’ aide de ces constatations, nous envisageons d’ explorer, dans la suite leur application potentielle dans un genre spécifique du théâtre, celui qui s’ adresse aux jeunes publics.
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When Phrynichus first wrote tragedy by composing The Miletus Conquest, drawing on recent for his age historical events, he showed the way that the new for this period form of literature and art could follow (dramatic text and stage presentation). Continue Reading
At the beginning of the 21st century, Greece has been caught in the vortex of a great economic, social, cultural and political turbulence, which has upturned its smooth European course and has brought about radical changes in the attitude, ideology and economic situation of the Greek citizens. After the international financial crisis between the years 2007-09 and since 2010, Greece has been involved in an unprecedented vortex of economic asphyxiation, great Depression and fiscal austerity, which was and is still being experienced by the Greeks as a multi-level and polynomial crisis (Helliwell, Layard& Sachs 2013). Continue Reading
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