• Cultural Consciousness and Theatrical Creation in Postwar Modern Greek Theatre: The “Hellenism Syndrom” phase

    The search for cultural identity is an ever-lasting demand for the Greek dramatology.

    During the post-war years the presence of this search is intensive, and the variety of its forms and versions depends each time on the specific historical and social conditions.

    On the basis of this quest for theatrical and, furthermore, cultural consciousness, and on condition that the theatre consists of the production of an objective reality on stage, we proceed to the analysis of our subject.

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    May 19, 2021 • Modern Greek Theatre, Theatre History • Views: 2012

  • Museum Experience through Inquiry Drama

    1.   Theoretical framework: Drama in the Museum

    Drama as a creative pedagogic process and the museum as a meaningful informal learning environment refer – in their own ways – to humanity and culture, aiming at spiritual, emotional, embodied experiences and experiential learning. Drama in formal education as a holistic approach to knowledge, values, attitudes and skills leads participants to inquiry, innovation, imagination, self-identification and empathy (O’ Toole et al. 2002; Neelands et al. 2003). Museums in the 21st century provide experience, knowledge and skills to visitors/students (Hooper-Greenhill 1994, 2000), offer opportunities of reflection, inquiry and application to life (Hein 2004), and produce and reproduce meanings and attitudes (Pearce 1993). In  addition to that, museum pedagogy uses several experiential methods, like workshops and dramatic events (Hooper-Greenhill 2000, 2007). Therefore, the theoretical framework of this article refers to inquiry in drama and museum experience as a keyword to museum education programmes.

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    February 9, 2021 • Theatre and Education • Views: 4722

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