La Commedia dell’Arte, forme théâtrale de provenance populaire, dispose des traits distinctifs propres à lui, de sorte qu’ elle peut être approchée et perçue par lui. Le but de notre communication porte à préciser les codes communicatifs dont elle se sert, et par la suite à circonscrire leur fonctionnalité chez les spectaters aux quels elle s’adresse. A l’ aide de ces constatations, nous envisageons d’ explorer, dans la suite leur application potentielle dans un genre spécifique du théâtre, celui qui s’ adresse aux jeunes publics.
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Codes Communicatifs de la Commedia dell Arte et leur Application au Theatre Jeunes Spectateurs
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New tragic form, old tragic sense in Contemporary World Theater
When Phrynichus first wrote tragedy by composing The Miletus Conquest, drawing on recent for his age historical events, he showed the way that the new for this period form of literature and art could follow (dramatic text and stage presentation). Continue Reading
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Twentieth century Greek Theatre – Contribution to the History of Modern Greek Theatre
Theatre is a wider form of cultural creation and demands a particular way of treatment as it equally combines both the dramatic text with the theatrical performance and the artistic expression with the social occasion. The continuously increasing interest in 20th century Greek theatre subjects and themes, has produced remarkable results. Continue Reading
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Dionysus Course: The Past and the Future of Theatrical Myth
The contact of the contemporary audience with the ancient drama often raises questions and concerns about the understanding and interpretation of its existence (as performance) in the postmodern era conditions, causing reasonable doubts about the possibility of its survival in future millennium. Continue Reading
