The problem of the existence or not of a reality, which outside the dimension of the intelligent subject, that is, the relationship of the subjectivity of conscience and the objectivity of the world, comprises an issue lending itself to a multiplicity of approaches and dimensions such as ontology, gnosology, psychology and metaphysics, neurophysiology and sociology. Continue Reading
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From the Pictorial Symbols of the Theatre to the Virtual Symbolisation of the Real
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Twentieth century Greek Theatre – Contribution to the History of Modern Greek Theatre
Theatre is a wider form of cultural creation and demands a particular way of treatment as it equally combines both the dramatic text with the theatrical performance and the artistic expression with the social occasion. The continuously increasing interest in 20th century Greek theatre subjects and themes, has produced remarkable results. Continue Reading
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“The Lady from the Sea”: The utopia of a reality
1. The highlighting of the function of the hidden laws that apply to the social co-existence of the individuals, as well as the commitments concerning individual freedom posed by the bourgeois society, are some of the commonest topics in Ibsen’s works that, every time, are approached from a different angle. Continue Reading
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Aristophanes through Lysistrata: the ancient greek comedy on the modern greek stage
Notwithstanding the unquestionable popularity of the hybrid and liminal Plutus for the survival and revival of Aristophanes in Greece and throughout the world,[1] it was another Aristophanic comedy that became associated with the most important and the most profound social, aesthetic and ideological turning points in the reception of Aristophanes by the modern Greek scene up to the present day. Continue Reading
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Ancient drama at the crossroads of civilizations
Greek directors walk side by side with their foreign colleagues as they express the major, global trends of performance and reoriented the perspectives about ancient drama. Continue Reading
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Theatrum Mundi: a journey through European performing arts
PROJECT THEATRUM MUNDI PRESENTATION
The project Theatrum Mundi is promoted by Eufonia soc.coop.- Astràgali Teatro, with the support of the Creative Europe Program of the European Union, in partnership with National and Kapodistrian University of Athens-Art and Speech Lab (Greece), Italian Centre of International Theatre Institute-UNESCO (Italy), University of Venice-IUAV (Italy), Stichting DW-RS Producties (Netherlands), Maison d’Europe et d’Orient (France), Theatro tsi Zakynthos (Greece), in association with Directorate General of International Theatre Institute (France), Xenia-Performing Arts Ensemble for the Internationalization of Artists (Italy). Continue Reading
